The Real World of Digital Music Production
The â??diarrheaâ? of â??an awful lot ofâ? contemporary â??pop, rap & rockâ? music (but not all!)
Do you know what happens when you live on a diet of processed entrees and fast food? When never a fresh fruit or vegetable passes your lips and your fiber count is measured in â??mgsâ? instead of grams? You guessed it: that horrible â??Dâ? word. Also known in medical circles as IBS (irritable bowel syndrome) –
So whatâ??s up with the computer spew of 75% of many contemporary popular artists? They, say the song is dead; well who killed it? Was it the independent label music movement? Certainly NOT! Was it rap, punk, or grunge or whatever? I’d say, could be. Was it Madonna who first put the crack in â??The Wallâ? of song composing and instrument playing that earlier generations so carefully began brick by brick? I donâ??t know — for you, but for me, itâ??s been a downhill ride since 1984.
I was one, well, that was at â??the roots of rockâ? sort of speak (thanks to an older sister who took me to the Fillmore East in New York City at age 14) â?? I was naïve enough to ask about that â??funny smelling smokeâ? and those funny looking cigarettes; I later thanked her, for I saw â??Santanaâ? live there when their second album (Black Magic Woman) hadnâ??t even hit the shelves.
I saw PINK FLOYD at that venue a year later when they were still called: The Pink Floyd and they had an opening act play before they came out (i.e. later when fame hit: Pink Floyd ALWAYS played alone because of their massive WALL of speakers and equipment.)
I saw bands in New York City that are now relics: Procol Harum, Jethro Tullâ??s first incarnation, YES, Bob Dylan WITH â??The Bandâ?!! â?? even Black Sabbath after their 1st LP; and, â??Mott the Hoopleâ? touring their FIRST LP. (Remember them? –an LP is an old vinyl record that was played on a turntable. YOU didnâ??t â??use the turntable to scratch! â?? And they made crackling and popping sounds. LONG LIVE THE CD! And the mp3 too) But, I digressâ?¦
So where is this blog heading?
Today you can record and cut a CD in your bedroom. Then, (IF you have enough friends and a gig someplace â?? or JUST USE U-Tube) you can SELL CDs to YOUR FANS, if you can GET ENOUGH, youâ??ll even make money; MAYBE! It can all be done on your HOME Computer. And why, because YOU are a musician? â??Frankly NOT my dearâ? as Gable used to say. (Gable who? say the younger readers?) Itâ??s all virtual marketing after thatâ?¦
In case you’re still naïve as to how IT is done - that so many of todayâ??s artists may not need to know almost anything about music, let alone, spend years playing an instrument or singing - and yet get on the â??Virtual Airwavesâ? and even end up on the Today show spot, along with the â??singing babiesâ? that periodically appear on the internet sites and on â??You-Tubeâ?. Well it doesnâ??t even take â??RC’sâ? [read Record Companies] Perhaps just a shrewd â??Boomer or GenXâ? Mom/Dad Manager)â?¦ Yep, itâ??s â??Performance Nowâ? and thereâ??s very little music to worry those Artists about. The RCâ??s can still get their cut and have absolutely NO REASON to complain!!! - About the â??Indie and Virtual Music artistsâ? wrecking their profit.
THEY helped â??build the beastâ? they fear everyday (and I hope it does eat their Creator like a type of â??Cannibal Babyâ? gone wild).
And “they” profit everyday by the existence of a youth-culture fueled â??Musicâ? industry whoâ??s â??Heart & Soulâ? is made up of the â??clinking, clacking, metallic empty bangingâ? of a musical palette of sounds that is â??as Soul-LESSâ? as the heart of the â??King Beastâ? himself (you know that Devil â??Samâ? who is lurking behind everybodyâ??s dream of a â??musical-career “Garden of Eden”) â??
As for those â??Singing Babiesâ? and â??Parading Sex-Toy Imagery of â??Twelve-year+ somethingâ? girly-woman - parading across the video screens of Virtual and TV America (every so often) THEY, and those nice Boomer+ parents, are just hoping a couple will spell â??C.A.S.H.â? BIG TIME! - This is of course, once their product â??Goes Viralâ?¦â?
And so many of uâ??You-tubers,â? (particularly) the older viewers will be â??fooled-againâ? â?? having, (in anemic mental-lapses) forgotten the â??Anthem of YOUR Youth: â??We Wonâ??t Be Fooled Againâ? (Who?); and, all those â??smashing guitarsâ? instead of â??Smashing â??those damnâ?? Pumpkinsâ? (now Geriatric!)â?¦
All BECAUSE â??Uâ? donâ??t have the â??dog-damnâ? SOFTWARE that I just have to throw in the garbage! (I made a resolve NOT to swear lately, I donâ??t want to break my will just yet) â?? nothing against â??dogâ??s really! â?? Though I am sort-of â??one of those cat-guysâ?â?¦Please donâ??t message my email, I LOVE animals with four-legs and some with two. (Itâ??s spiders and insects with multiple legs that have been giving me the creeps lately, but then I live in a â??real FORESTâ?â?¦
It came in MARCH: The last â??music equipment purchase I knew I was going to be able to make for quite sometime unless, - MY CD goes â??Viralâ? - (highly unlikely as I donâ??t own a Video camera or even a digital camera) It will be tough to get on YOU-Tube or even MySpace Music with my â??old-fashioned music-making wayâ? (and so MUCH profitless Work â?? not to mention that! â?? Unpaid labor, hardly worth it) - but thatâ??s aside the point:
In March (as I said), I bought a $100 desktop â??plasticâ? 2-octave Midi Controllerâ? keyboard with my last savings, (2 octaves means that it only has 25 black & white piano-looking keys) and along with that came (from this decptive â??krautâ? company) the: â??Virtual Music Starter Desktop Composing Packageâ? (a VMSDCP (!)) complete with 50 of the â??Latestâ? Digital Virtual Sounds and Samples (your DVSS’s!) that I thought my music was lacking(?!) â?? Or perhaps, I had a series of â??faithlessâ? self-doubts and collapse of my initial musical resolve formed so long ago in those many long hours and days behind â??My Old Black & Whiteâ?â?¦But again, I digress:
So although the keyboard will be minimally useful at my computer desktop for editing and notation work, those wonderfully and cleverly named (and they really are!) modern sound samples have yet to be able to even be tested out with this â??rat-likeâ? maze of a software package! â??Theyâ? (the Kraut Company) sent me for my $100 apparently a bunch of â??demo-softwareâ? that â??Theyâ? never even paid for â?? unfortunately you canâ??t do much with it! - If only after loading the .dll files I could hear the damn things on a reliable basis. But yes, I do like the names: i.e. Delay Lama, B-Assault, AManalogWar, etc â?? endlessly creative really!
So when I finally got a few to sound after much frustration the musical use was questionable, (for me I mean); unless you are purposely avoiding any musical references. But most of all, there was this â??ambience of artificiality about them allâ? â?? This is the â??so called musical worldâ? we are abandoning our youth to, (I philosophically reflected, as I endlessly clicked and re-clicked the samples with my mouse trying to get them to sound). â??This is a world where a real guitar or piano is mostly a â??propâ? â??
Somehow every sound seemed to me the equivalent of â??those frozen-processed entreesâ? Once in a while, a nice touch to a busy life and schedule; eat them regularly and â??diseaseâ? is sure to get deeply-rooted with time.
OK so Iâ??m not too fond of todayâ??s musical sound palette, but itâ??s not just that:
The â??composing software and the music softwareâ? that is the foundation of so much of the rock and pop that even comes out of the big studios today is not something that â??miffs meâ? (believe me, I AM NOT that â??old fashionedâ? I just like old 40â??s movies). I understand it only too well; way back in the 1980â??s when many of todayâ??s young artists where still their â??daddyâ??s spermâ? beginning that long swim up their â??motherâ??s canalâ?, I spent untold hours hunched over then â??modern synthesizersâ? creating such effects and sounds; BUT by myself, with only the good old tech manual and use of dials, filters, oscillatorsâ?¦ and so forth.
Todayâ??s gig>>> You no longer compose music (especially from â??your musical soulâ?) you download and merge the â??pre-foundâ? clips and beats included in the package. A â??Soullessâ? and â??Joylessâ? process in my opinion BUT not necessarily an instant, easy one. The â??Resultâ?? Everything you create has this â??virtual stampâ? on it and sounds like every other â??voice in the box.â? True, you shape it but hardly worth the learning curve to me.
As (the) PINK FLOYD predicted way back in ‘74 with their song: â??Welcome to the Machineâ? ) from the album: â??Wish You Were Hereâ? the machine is now as a voice and its soul is in the â??boxâ? even if you try to musically think â??outside the boxâ?â?¦And believe me: I loved MY PINK FLOYDâ?¦ and English bands in particular. Their foresight is now come to pass (meaning: it is now true in reality what was fantasy in their lyrics)â?¦â??Welcome to the Digital Soulâ?>>>
So from the â??soul-lessâ? world of contemporary modern desktop composing, I now fondly bid you adieuâ?¦ I and â??my lonely soulâ? like a musical Henry Thoreau at some far-away â??Walden Pondâ? on a frontier far from the â??modern worldâ? return to my â??Digital Pianoâ? that at least has 88 â??real-actionâ? keys and perhaps later tonight to â??My Old Black & Whiteâ? (still resting peacefully in my kitchen foyer). I played the theme to my song: My Old Black & White on it the other day, she sounded pretty good considering â??sheâ? hasnâ??t been tuned since my then 86-year-old piano tuner died (I think in 2002).
My old black and white, Greets me with silence, every night.
And whenever I walk through that door;
Sheâ??s been my friend now since â??74
Sheâ??s still my old black & white
And though her keys no longer shine so bright,
Sheâ??s kept me company (through) many a lonely night.
Sheâ??s still my old black & white
I posed for the above picture the day of a concert I played for over 35 people in a log cabin, called â??The Music Shedâ? in Cummington, Mass., A nice open-air mountain town of New England.
I was 30 then and I remember it as passing as briefly as a â??summer dayâ? in New England. The last year my body would be unmarred by â??the needles of dialysisâ? and the ensuing struggle of the next twenty years of poverty and struggle to keep myself faithful to my chosen goal and commitment: to learn to play a REAL PIANO. I thought it was just the beginning of long and fruitful career doing this; but I hadnâ??t seen my latest blood reportsâ?¦.
It was a glorious June Day in the New England mountains and I played a grand piano, very well indeedâ?¦
My bio is where you can read more about my music and find links to listen and purchase my CDs: August Ocean Overture, and In Memory Only
Michael A. Guy
http://www.articlesbase.com/music-articles/the-real-world-of-digital-music-production-682677.html
March 07 2010 01:00 am | Sperm Count
March 7th, 2010 at 1:00 am
Recording studio rates and rooms?
I want to record like 3 songs in a studio but I don’t know wich room I am going to need to record in? So I have pasted the rates and rooms below can somone tell me what all I will need and what room I should choose and about how long it will take to record 3 songs. Oh and I and I don’t play any instruments so how or where can I find music to sing my songs to?
Suite A - $160/hr
Built for comfort and speed. This room was designed and built to be the ultimate listening/production environment. Equipment includes the AMS Neve Logic 3 console with 5.1 Surround Mixing, and the Audiofile SC workstation with lightning fast archive and retrieval via DVD-RAM. Also features a window into our Sound Studio, client desk, couch, lava lamp, wireless internet, and a 32 inch video monitor.
Suite B - $160/hr
Built to get the work done. Our second AMS Neve Logic 3/Audiofile SC workstation is the heart of our "living room." It also includes a 2 GHz dual processor Mac G5 with Pro Tools, Final Cut Pro and DVD Studio Pro. Virtually every audio format available is represented in this space. Features a beautiful view of downtown Raleigh, and easy access to the coffee pot.
Sound Studio - $25/hr (only in combination with Suite A or Suite B)
Built for silence. Our 500 square foot studio features a 3 inch floating concrete floor with 2 inch thick walls and ceilings mounted on isolation systems designed by Mason Industries for the ultimate in soundproofing. Combine this with a no compromise approach to acoustic treatment and you have what is probably the best sounding room in the Carolinas. Features a window into Suite A, and a comprehensive microphone collection, including the best from Neumann, AKG, and Sennheiser.
ISDN Services - $75/hr (only in combination with Suite A or Suite B)
Real time high quality audio from anywhere in the world. We support all major data formats, including APT, Telos/Zephyr and MPEG layers 2 & 3. Standard phone patch services also available and included in edit suite hourly rate.
Production Music and Sound Effects
We have an extensive collection of music from the best production libraries available: FirstCom, Chappell, One Music, Gotham, and more. Plus we have access to thousands of additional titles published by these libraries online.
Our sound effects library is second to none, and includes hundreds of recordings collected by our staff over more than 20 years of operation.
Production music $100/use - Access to our sound effects library $25/session
Digital Spot Delivery
Digital Delivery of Radio Spots and Traffic to stations nationwide
$15 per station delivered
plus $2 for each tied spot.
($45 minimum)
Materials
CD-R Recordable Compact Disk
DVD-R
DVD RAM Disk 4.7G [client archive]
DAT 124 Minute
DAT 64 Minute
Cassette
$5
$10
$25
$20
$15
$5
There is a minimum copy charge of $35.
March 7th, 2010 at 6:02 am
I dunno really
I get to do mine for free….
Yeah it is expensive whatever you have the money for I guess
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